Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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CLEVE, Joos van
Altarpiece of the Lamentation (central) dfg

ID: 06108

CLEVE, Joos van Altarpiece of the Lamentation (central) dfg
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CLEVE, Joos van Altarpiece of the Lamentation (central) dfg


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CLEVE, Joos van

Flemish Northern Renaissance Painter, ca.1485-1540  Related Paintings of CLEVE, Joos van :. | Altarpiece of the Lamentation (detail) dfg | Altarpiece of the Lamentation (detail) fhfgj | Portrait of Anthonis van Hilten fdg | Altarpiece of the Lamentation (central) dfg | Portrait of Agniete van den Rijne fdg |
Related Artists:
Edmund Charles Tarbell
American Impressionist Painter, 1862-1938 American painter, illustrator and teacher. He attended drawing lessons at the Normal Art School, Boston, MA, and art classes with W. A. G. Claus. From 1877 to 1880 he was apprenticed to a lithographic company in Boston. In 1879 Tarbell entered the School of the Boston Museum of Fine Arts, where he was a pupil of Otto Grundmann (1844-90), a former student of Baron Hendrik Leys in Antwerp. In 1883 Tarbell left for Paris with his fellow student Frank W. Benson. Both Tarbell and Benson attended the Acad?mie Julian, where they studied with Gustave Boulanger and Jules Lefebvre. They travelled to Italy in 1884 and to Italy, Belgium, Germany and Brittany the following year. Tarbell returned to Boston in 1886. Initially after his return, Tarbell made a living from magazine illustration, teaching privately and painting portraits. In 1889 Tarbell and Benson took Grundmann's place at the Museum School.
John Nost Sartorius
English Painter, 1759-1828
BELLINI, Giovanni
Italian High Renaissance Painter, ca.1430-1516 Giovanni Bellini (c. 1430 ?C 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.






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